游戏设计梦工厂

　　第 1 章 游戏设计师的角色 ························································································3和玩家站在同一阵营··································································································3热情和技巧··············································································································6以玩法为核心的设计流程···························································································1…
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　　Tracy Fullerton是一位饱受赞誉的游戏设计师和教育者，她的从业经验超过十五年。她在近期赢得了IndieCade 2013的Trailblazer奖，这是对她在独立游戏社区中的突出贡献的嘉奖。Tracy是南加州大学电影学院互动媒体及游戏系的主任和教授，这个专业在普林斯顿的北美游戏设计专业排行榜上高居。

　　游戏设计梦工厂》是南加州大学游戏设计系主任的经典著作。作为一本将现代游戏工业与先进教学体系完美融合的书籍，通过本书你将学会驱动式练习,不需要编程或艺术专业知识就可以按部就班地完成真实游戏的设计。本书内容全面、受众较广，既清晰而系统地介绍了实用的游戏设计创作过程，又细致讲解了工作原型、游戏测试，以及修改游戏设计时屡试不爽的方法和工具，为你提供了提升游戏设计技艺、壮大游戏事业的各方面基础。

　　第 1 章 游戏设计师的角色 ························································································3和玩家站在同一阵营··································································································3热情和技巧··············································································································6以玩法为核心的设计流程···························································································12你应该知道的设计师 ·······························································································14迭代设计过程 ········································································································18为革新而设计··········································································································24总结······················································································································24设计师视角：CHRISTINA NORMAN ···········································································25设计师视角：WARREN SPECTOR ············································································28扩展阅读···············································································································30章末笔记···············································································································30第 2 章 游戏的结构·································································································31《钓鱼》和《雷神之锤》···························································································31让玩家投入·············································································································39什么是谜题？ ········································································································40这部分的总结··········································································································47定义游戏················································································································48超越定义················································································································49总结······················································································································51设计师视角：Jane McGonigal ···················································································52设计师视角：Randy Smith ·······················································································55扩展阅读················································································································57章末笔记················································································································57第 3 章 使用正规元素······························································································58玩家······················································································································58有说服力的游戏 ·····································································································66目标······················································································································69操作······················································································································75规则······················································································································77资源······················································································································81冲突······················································································································87边界······················································································································88结果······················································································································90总结······················································································································91设计师视角：Tim LeTourneau ······································
^ 收 起　　

　　Tracy Fullerton是一位饱受赞誉的游戏设计师和教育者，她的从业经验超过十五年。她在近期赢得了IndieCade 2013的Trailblazer奖，这是对她在独立游戏社区中的突出贡献的嘉奖。Tracy是南加州大学电影学院互动媒体及游戏系的主任和教授，这个专业在普林斯顿的北美游戏设计专业排行榜上高居。

　　游戏设计梦工厂》是南加州大学游戏设计系主任的经典著作。作为一本将现代游戏工业与先进教学体系完美融合的书籍，通过本书你将学会驱动式练习,不需要编程或艺术专业知识就可以按部就班地完成真实游戏的设计。本书内容全面、受众较广，既清晰而系统地介绍了实用的游戏设计创作过程，又细致讲解了工作原型、游戏测试，以及修改游戏设计时屡试不爽的方法和工具，为你提供了提升游戏设计技艺、壮大游戏事业的各方面基础。