意大利文艺复兴时期的祭坛画（文艺复兴经典书系）

　　【目录】
　　译者前言······························································································  ····001
　　英文版前言··································································································020
　　第1章  引言：遗存问题···········································································027
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　　作者雅各布·布克哈特，19世纪瑞士杰出的文化史、艺术史家，其代表作《意大利文艺复兴时期的文化》在国内一直盛销不衰。

　　祭坛画是一种画在木板上，安置在教堂圣坛前面的宗教画，文艺复兴时期的祭坛画具有典型意义，如《后的审判》《根特祭坛画》都是著名的艺术经典，比如后者在绘画史上的意义，远远超出了一般的思想内容和艺术形式处理上的革新和独创，而是开创了整个欧洲绘画的新纪元。本书是关于对文艺复兴的祭坛画进行系统研究的著作，是艺术史中的重要文献，其价值在20世纪90年代开始被人们发现并重视。

　　【目录】
　　译者前言······························································································  ····001
　　英文版前言··································································································020
　　第1章  引言：遗存问题···········································································027
　　第2章  基督教早期祭坛装饰···································································029
　　第3章  批祭坛装饰············································································032
　　第4章  1400年之前意大利的祭坛雕刻···················································034
　　第5章  文艺复兴时期的祭坛雕刻····························································037
　　第6章  祭坛雕刻：小结············································································040
　　第7章  早期意大利祭坛画·········································································042
　　第8章  14世纪的多折板············································································046
　　第9章  文艺复兴时期多折板的遗存·························································049
　　第10章  统一的祭坛画：初论···································································053
　　第11章  圣契图：空间与光·······································································055
　　第12章  圣契图：圣母与圣徒···································································064
　　第13章  圣契图：圣子与天使···································································072
　　第14章  圣契图中的供养人肖像·······························································086
　　第15章  16世纪圣契图的变革··································································088
　　第16章  荣赞圣母的其他图画···································································101
　　第17章  叙事性祭坛画：初论···································································118
　　第18章  圣母和基督的生平场景·······························································120
　　第19章  受难与复活的场景·······································································130
　　第20章  圣徒的生平场景···········································································143
　　第21章  17世纪的发展··············································································149
　　索引·················································································································150
　　 
^ 收 起　　

　　作者雅各布·布克哈特，19世纪瑞士杰出的文化史、艺术史家，其代表作《意大利文艺复兴时期的文化》在国内一直盛销不衰。

　　祭坛画是一种画在木板上，安置在教堂圣坛前面的宗教画，文艺复兴时期的祭坛画具有典型意义，如《后的审判》《根特祭坛画》都是著名的艺术经典，比如后者在绘画史上的意义，远远超出了一般的思想内容和艺术形式处理上的革新和独创，而是开创了整个欧洲绘画的新纪元。本书是关于对文艺复兴的祭坛画进行系统研究的著作，是艺术史中的重要文献，其价值在20世纪90年代开始被人们发现并重视。