【目录】
译者前言··············································································································· 001
桑德罗·波提切利的《维纳斯诞生》和《春》：意大利文艺复兴早期古风观念考（1893）························································································································027
桑德罗·波提切利（1898）·················································································097
1589年幕间剧的舞台服装：贝尔纳多·波塔伦蒂的设计和艾米里奥·德·卡瓦利埃里的账本（1895）·············································································································103
佛罗伦萨早期版画中“爱的纹章”（1905）······················································160
肖像艺术与佛罗伦萨中产阶级——多米尼科·基朗达约在圣三一教堂：洛伦佐·德·美第奇及其家人的肖像（1902）·······················································································172
弗朗切斯科·萨塞蒂给儿子们的遗言（1907）···················································210
弗莱芒艺术与佛罗伦萨早期文艺复兴（1902）···················································252
15世纪南北方的艺术交流（1905）······································································271
丢勒与意大利古风（1905）···················································································276
费拉拉无忧宫的意大利艺术与国际占星学（1912）············································281
路德时代词与像中的异教—古代预言（1920）····················································303
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