现代画家、雕塑家和建筑师传/文艺复兴经典书系
【目录】
译者说明·······························································································001
献词····························································· ·········································002
致读者···································································································004
查看完整
译者说明·······························································································001
献词····························································· ·········································002
致读者···································································································004
查看完整
本书是16、17世纪著名艺术家的传记,是继文艺复兴时期意大利艺术理论家瓦萨里的《著名画家、雕塑家、建筑家传》一书之后,对瓦萨里的续写。本书的观念对后来新古典主义的艺术理念有根本性的影响,是当之无愧的艺术史名作。
【目录】
译者说明·······························································································001
献词····························································· ·········································002
致读者···································································································004
《名画记》序言节选···········································································008
论理念···································································································010
第1章 阿尼巴勒·卡拉奇·······························································023
第2章 阿戈斯蒂诺·卡拉奇···························································088
第3章 多梅尼科·丰塔纳·······························································119
第4章 费德里科·巴罗奇·······························································141
第5章 米开朗琪罗·梅里西·达·卡拉瓦乔·······························166
第6章 彼得·保罗·鲁本斯···························································184
第7章 安东尼·凡·戴克·······························································213
第8章 弗朗索瓦·迪凯努瓦···························································227
第9章 多梅尼科·赞皮耶里(多梅尼基诺)································242
第10章 乔凡尼·兰弗朗科·····························································302
第11章 亚历山德罗·阿尔加迪·····················································319
第12章 尼古拉·普桑·····································································337
第13章 圭多·雷尼·········································································386
第14章 安德里亚·萨奇·································································422
第15章 卡洛·马拉蒂·····································································450
术语表···································································································514
附录·······································································································516
索引·······································································································530
参考文献·······························································································560
^ 收 起
译者说明·······························································································001
献词····························································· ·········································002
致读者···································································································004
《名画记》序言节选···········································································008
论理念···································································································010
第1章 阿尼巴勒·卡拉奇·······························································023
第2章 阿戈斯蒂诺·卡拉奇···························································088
第3章 多梅尼科·丰塔纳·······························································119
第4章 费德里科·巴罗奇·······························································141
第5章 米开朗琪罗·梅里西·达·卡拉瓦乔·······························166
第6章 彼得·保罗·鲁本斯···························································184
第7章 安东尼·凡·戴克·······························································213
第8章 弗朗索瓦·迪凯努瓦···························································227
第9章 多梅尼科·赞皮耶里(多梅尼基诺)································242
第10章 乔凡尼·兰弗朗科·····························································302
第11章 亚历山德罗·阿尔加迪·····················································319
第12章 尼古拉·普桑·····································································337
第13章 圭多·雷尼·········································································386
第14章 安德里亚·萨奇·································································422
第15章 卡洛·马拉蒂·····································································450
术语表···································································································514
附录·······································································································516
索引·······································································································530
参考文献·······························································································560
^ 收 起
本书是16、17世纪著名艺术家的传记,是继文艺复兴时期意大利艺术理论家瓦萨里的《著名画家、雕塑家、建筑家传》一书之后,对瓦萨里的续写。本书的观念对后来新古典主义的艺术理念有根本性的影响,是当之无愧的艺术史名作。
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